Thursday, 12 June 2014

Information for issues 6, 7 and 8

Update for  CDE Readers

Issue 6, 2014: Craft.Material.Memory online from August 2014 on ANU Press website 
Issue 7, 2015: Landscape, Place and Identify in Craft and Design. Call for papers now closedinvited papers are due in by 30 June 2014. To be published mid-2015
Issue 8, 2016: 'Global Parallels: Production and Craft in Fashion and Industrial Design Industries’ Call for Papers  To be published in mid-2016.

Tuesday, 3 June 2014

In the Spaces of the Archive By Caroline Bartlett

In the Spaces of the Archive
By Caroline Bartlett

2002. Bodies of Knowledge Volume V; Arbiters of Taste. (1934 encyclopaedia, embroidery hoops, silk crepeline, pins). 34 x 84 x 5cm. Photographer Michael Wickes. Collection Victoria and Albert Museum

Abstract: In this paper, I offer an explanation of my own working art practices as set within the context of the spaces of the archive and presented as a series of questions arrived at through action, illuminated in turn by anthropological theory. Over the last few years I have examined various museum collections, archives and encyclopedias in relation to the way these knowledge systems both represent and promote the formation of individual and collective identities, memories and value systems.
Artifacts located within museological and archival systems can be powerful sensory and social forms in which different meanings and memories are embedded, but their significance can be obscured rather than revealed by the systems which control them. How we experience these objects within the physical, material, social, and political spaces of the archive leads to questions about how these sets of relations interact and what can be understood from this. In this vein then, and in the context of the tactile and sensory orientation of my own textile art practice, I look at four of my site-specific works produced in relation to the spaces of the archive: Overwritings (1999), Storeys of Memory (2001), Bodies of Knowledge (2002) and Conversation Piece (2003), focusing in particular on the latter, and show how investigation into different collections has prompted the making of new aesthetic objects which comment on and attempt to draw out these relations. Read full paper
Full paper published in craft+design enquiry: issue 1 Migratory Practices